I spent the summer in blissful avoidance of anything school or “work”-related. After four months of e-learning, I was desperate to detach and give my brain and weary eyeballs a much-needed break. I…
A literary character is a complex creation. In most types of fiction*, your characters will need to be well-rounded; empathetic (if not likeable); act in a believable way; carry the story’s tensions; and have an arc that ties in with that of the narrative. They will most likely also represent, in conflict or concert with other characters, the themes of the overall work.
Many manuscripts fall down because their characters are weak and are not harmonious with the other elements of the work. These characters are cliched, flat; they are carried by events rather than having an effect on their unfolding; they answer their own questions (destroying tension); they are illogically uneven (rather than consistently complex); and they experience no meaningful growth despite the events occurring in the story.
How do you create meaningful, memorable, effective (in terms of their story role) characters and avoid the pitfalls? Here are five areas to consider:
Characterisation and character voice
What is meant by characterisation? It’s the full formation of your character: their likes, dislikes, desires, fears, habits, tics, physicality, and the background and environment that has shaped their psychology. Their voice — their unique ways of thinking, speaking, acting — will be informed by their characterisation, and how much they also know about themselves. You can play with this further by making smart choices about point of view: will we witness events through their eyes (first person), from somewhere over their shoulder (third person limited), or at a distance or as part of a cast of characters (omniscient third person or shifting points of view)?
Throughout the narrative, show the reader who they are through their actions, gestures, thoughts, dialogue, memories. Be careful not to open the book with a character profile, telling the reader who your character is. (This is extremely common in manuscripts I’ve worked on.) Instead, kick off the story, give us just enough, and let the reader discover more about your character as they act in accordance to the events of the narrative.
The digital photo frame flashed snapshots of the children growing up at all ages on the kitchen counter. For years we enjoyed remembering the various moments of the kids childhoods. The vacations to…
Only 19 days into the new year, news headlines have taken a turn for the worst. In just a couple of weeks, news outlets have latched on to the stories of at least three Los Angeles women who have…
A Poem of Life and Death